[Federal Register: May 4, 1999 (Volume 64, Number 85)]
[Notices]
[Page 23875-23876]
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LIBRARY OF CONGRESS
Copyright Office
[Docket No. 99-3 CARP DD 95-98]
Ascertainment of Controversy for the Distribution of the 1995,
1996, 1997, and 1998 Digital Audio Recording Royalty Funds
AGENCY: Copyright Office, Library of Congress.
ACTION: Notice with request for comments.
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SUMMARY: The Copyright Office of the Library of Congress directs all
claimants to the royalty fees collected in 1995, 1996, 1997, and 1998
for the distribution of digital audio recording devices and media to
submit comments as to whether a controversy exists as to the
distribution of the royalty fees in the 1995, 1996, 1997, and 1998
Musical Works Funds.
DATES: Comments and notices of intent to participate are due by July 6,
1999.
ADDRESSES: If sent BY MAIL, an original and 5 copies of written
comments should be addressed to Office of the General Counsel,
Copyright Arbitration Royalty Panel (CARP), P.O. Box 70977, Southwest
Station, Washington, DC 20024. If DELIVERED BY HAND, an original and 5
copies should be brought to: Office of the General Counsel, Copyright
Office, Room LM-403, James Madison Memorial Building, 101 Independence
Avenue, SE, Washington, DC 20559-6000.
FOR FURTHER INFORMATION CONTACT: David O. Carson, General Counsel, or
Tanya M. Sandros, Attorney Advisor, Copyright Arbitration Royalty Panel
(``CARP''). Telephone: (202) 707-8380. Telefax: (202) 252-3423.
SUPPLEMENTARY INFORMATION:
I. Background
The Audio Home Recording Act of 1992 (the ``Act''), Pub. L. 102-
563, requires manufacturers and importers to pay royalties on digital
audio recording devices and media that are distributed in the United
States. 17 U.S.C. 1003. The royalties are deposited with the Copyright
Office for further distribution to interested copyright parties who
file claims with the Copyright Office each year during January and
February. 17 U.S.C. 1005, 1007.
The Act provides that the royalties are divided between two funds:
the Sound Recordings Fund and the Musical Works Fund. The Sound
Recordings Fund receives 66 2/3% of the royalties and the Musical Works
Fund receives the remaining 33 1/3%. These fees are allocated further
to specific subfunds.
The Sound Recordings Fund consists of four subfunds: the Featured
Recording Artists Subfund, the Copyright Owners Subfund, the
Nonfeatured Musicians Subfund, and the Nonfeatured Vocalists Subfund.
The two subfunds created for the benefit of nonfeatured artists receive
a total of 4% of the funds allocated to the Sound Recordings Fund. Of
the remaining royalty fees in the Sound Recordings Fund, 60% is
allocated to the Copyright Owners Subfund and 40% is allocated to the
Featured Recording Artists Subfund. Similarly, the royalty fees
allocated to the Musical Works Fund are equally divided between two
subfunds, the Publishers Subfund and the Writers Subfund. 17 U.S.C.
1006(b).
Distribution of these fees may occur in one of two ways. If the
claimants within each subfund agree among themselves how to distribute
the royalty fees, the Librarian of Congress distributes the royalties
to the claimants in accordance with their negotiated
agreement.<SUP>1</SUP> 17 U.S.C. 1007(b). Alternatively, if the parties
cannot reach an agreement, the Librarian of Congress must convene a
copyright arbitration royalty panel (``CARP'') to determine the
distribution of royalty payments.<SUP>2</SUP> 17 U.S.C. 1007(c). Before
commencing a distribution proceeding, however, the Copyright Office
must first ascertain whether a controversy exists concerning the
distribution of the royalty fees among the copyright claimants to the
funds available for distribution. 17 U.S.C. 803(d) and 1007(b).
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\1\ The claimants to the royalty fees in the Sound Recordings
Funds have negotiated a universal settlement agreement among
themselves for each year as to the proportionate share that each
claimant receives from the subfunds. These agreements have made it
unnecessary for the Librarian to convene a CARP and have allowed him
to distribute all royalty fees allocated to the Sound Recordings
Funds during 1993 to 1998.
\2\ In 1996, the Librarian convened a CARP to determine the
distribution of the 1992, 1993, and 1994 Musical Works Funds. See 62
FR 6558 (February 12, 1997). The Librarian's final order determining
the distribution of these funds based upon the CARP's findings was
appealed to and recently upheld by the United States Court of
Appeals for the District of Columbia Circuit.
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II. Ascertainment of Controversy and Notices of Intent to
Participate
Section 251.45(a) of the Copyright Office regulations, title 37 of
the Code of Federal Regulations, requires that:
[T]he Librarian of Congress shall, after the time period for
filing claims, publish in the Federal Register a notice requesting
each claimant on the claimant list to negotiate with each other a
settlement of their differences, and to comment by a date certain as
to the existence of controversies with respect to the royalty funds
described in the notice. Such notice shall also establish a date
certain by which parties wishing to participate in the proceeding
must file with the Librarian a notice of intention to participate.
The purpose of the negotiation requirement is to make all of the
claimants within each fund/subfund aware of each other and to encourage
active participation and open discussion on how to resolve each party's
claim. The Copyright Office has compiled a list of claimants who have
filed timely a claim to either of the two subfunds comprising each of
the 1995, 1996, 1997, and 1998 Musical Works Funds.<SUP>3</SUP>
Claimants must use these lists in negotiating settlement agreements
concerning the distribution of the royalty fees.
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\3\ Copies of the claimant lists are available for viewing and
copying between the hours of 8:30 a.m. and 5:00 p.m. at the: Library
of Congress, Copyright Office, Licensing Division, Room LM-458,
James Madison Building, 101 Independence Avenue, SE, Washington, DC
20557-6400.
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At the conclusion of the negotiation period, the claimants must
submit to the Copyright Office comments identifying the existence of
any settlement agreements and the existence of any remaining
controversies. Participants must identify each subfund in the Musical
Works Funds by year and indicate whether any controversy remains over
the distribution of the royalty fees in that subfund or whether an
agreement has been reached. In the case of an agreement, the notice
must list the name of all claimants covered by the agreement.
Participants must advise the Copyright Office of any controversy by the
end of the comment period. The Office will not consider controversies
which are brought to its attention after the close of the comment
period.
Each claimant who intends to participate in the distribution of the
1995, 1996, 1997, and 1998 Musical Works Funds must also file a notice
of intent to participate. The notice must identify each year and each
subfund in which the copyright owner has an
[[Page 23876]]
interest. Failure to file a timely Notice of Intent may preclude a
party from participating in the distribution proceeding. The notices
are due July 6, 1999.
III. Consolidation of Proceedings
Section 801(d) of the Copyright Act, 17 U.S.C., as amended by the
Technical Amendments to the Satellite Home Viewer Act of 1994, Pub. L.
105-80, states that ``[t]he Librarian of Congress, upon the
recommendation of the Register of Copyrights, . . . shall reimburse the
arbitrators presiding in distribution proceedings at such intervals and
in such manner as the Librarian shall provide by regulation. . . .
Payments to the arbitrators shall be considered reasonable costs
incurred by the Library of Congress and the Copyright Office for
purposes of section 802(h)(1).'' Funds to pay the arbitrators come from
the royalty funds under consideration in the distribution proceeding.
Because there are insufficient funds available from the Musical Works
Fund for any single year to cover the projected cost of an arbitration
proceeding that would require oral testimony, the Copyright Office is
consolidating the consideration of the distribution of the 1995, 1996,
1997, and 1998 Musical Works Funds into a single proceeding in order to
have sufficient funds to meet its financial obligations to the
arbitrators.
Dated: April 28, 1999.
Marybeth Peters,
Register of Copyrights.
[FR Doc. 99-11182 Filed 5-3-99; 8:45 am]
BILLING CODE 1410-33-P