This page contains reply comments submitted as a part of a rulemaking on exemptions from prohibition
on circumvention of technological measures that control access to copyrighted works (read
more details). The following reply comments were submitted January 21
through February 20, 2003.
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21 |
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Arnold
P. Lutzker
321 Studios, LLC |
Replying
to Comment |
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25,
33, 47 |
Class of Works |
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No. 47: Motion pictures and other audiovisual works
No. 25: Literary and audiovisual works embodied in software
whose access control systems prohibit access to replicas
of the works
No. 33: Literary works, including computer programs and
databases, protected by access control mechanisms that fail
to permit access because of malfunction, damage, or obsoleteness.
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Reply
comment (72 pages) |
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22 |
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Christopher
Mohr
Reed Elsevier, Inc. |
Replying
to Comment |
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2,
3, 14,
20, 22,
28, 29,
30, 33,
40, 42,
43, 44
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Class of Works |
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A. Reissuance of the 2000 Class
1. Literary works, including computer programs and databases,
protected by access control mechanisms that fail to permit
access because of malfunction, damage, or obsoleteness.
(Comment 32, Class 2; Comment 33, Class 1).
2. Literary works, including computer programs and databases,
protected by access control mechanisms that are at high
risk of failure in the near-term future because of malfunction,
damage or obsoleteness. In order to invoke this case,
the potential malfunction, damage, and/or failure must
not be due to intentional damage meant to invoke this
clause. (Comment 32, Class 3).
3. Literary works, including computer programs and databases
that fail to permit access because of the copyright owner
and/or their designated agent fail to provide the necessary
support means. (Comment 32, Class 5).
B. Fair Use Classes
1. Fair Use Works
2. Per se Educational Fair Use Works
3. Thin Copyright works
4. Per se Educational Thin Copyright Works
5. Any work to which the user had lawful initial access
(i) during the period of lawful access, or (ii) after
any period of lawful access if the user has physical possession
of a copy of the work.
6. Literary works, including computer programs and databases,
protected by access control mechanisms in which the mechanism
controls access both to copyrighted works and to works
not under copyright.
7. Works in the Public Domain that have been distributed
using access controls.
8. Literary works, including computer programs and databases,
protected by access control mechanisms that fail to permit
access to recognize shortcomings in security systems,
to defend patents and copyrights, to discover and fix
dangerous bugs in code, or to conduct forms of desired
educational activities.
9. Literary works restricted by access controls that
limit lawful access to and post-sale uses of the work,
where circumvention allows a lawful possessor to use the
work in a non-infringing way.
10. Copyrighted content that the copyright holder consents
to publish or distribute without payment.
11. Works embodied in copies or phonorecords that have
been lawfully acquired by users or their institutions
who subsequently seek to make noninfringing uses thereof.
(Comment 30, Class 7).
12. Literary works, including computer programs and databases,
protected by access control mechanisms in which the mechanism
controls access both to copyrighted works and works not
under copyright.
13. Everything, non-commercial use, educational use,
fair use, personal use.
14. All digitally recorded content.
15. Musical, literary, and cinematological works in digital
formats.
16. Sound recordings, audiovisual works and literary
works (including computer programs) protected by access
control mechanisms employed by or at the request of the
copyright holder which require, as a condition of gaining
access, that the prospective user agree to contractual
terms which restrict or limit any of the limitations on
the exclusive rights of that copyright holder under the
Copyright Act.
C. Internet Archive
Literary and audiovisual works embodied in software whose
access control systems prohibit access to replicas of
the works.
D. Computer Program and Database "Security"
Classes
1. Those literary works, musical works and audiovisual
works, for which a person has lawfully obtained a right
of use, protected by access control mechanisms which include
features, flaws or vulnerabilities that (a) expose (i)
the works to be protected or (ii) other assets of the
users of such measures—including computers, computers
systems or computer networks or the data or other protected
works used with them—to infringement, compromise,
loss, destruction, fraud and other adverse actions or
(b) permit the privacy of such users to be compromised.
2. Those literary works representing computer software
programs and databases, for which a person has lawfully
obtained a right of use, that operate to control access
to works protected under the Copyright Act but contain
features, flaws or vulnerabilities that (a) expose (i)
the works to be protected or (ii) other assets of the
users of such measures—including computers, computers
systems or computer networks or the data or other protected
works used with them—to infringement, compromise,
loss, destruction, fraud and other adverse action.
3. Literary works, including computer programs and databases,
that fail to permit access to recognize shortcomings in
security systems, to defend patents and copyrights, to
discover and fix dangerous bugs in code, or to conduct
forms of desired educational activities.
4. Open source and free software and other works licensed
under licenses such as the GNU GPL (General Public License). |
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Reply
comment (18 pages) |
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23 |
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Steven
J. Metalitz, Eric J. Schwartz
AFMA (formerly American Film Marketing Association), American
Society of Composers, Authors, and Publishers (ASCAP),
American Society of Media Photographers (ASMP), Association
of American Publishers (AAP), Association of American
University Presses (AAUP), The Authors Guild, Inc., Broadcast
Music, Inc. (BMI), Business Software Alliance (BSA), Directors
Guild of America (DGA), Interactive Digital Software Association
(IDSA), Motion Picture Association of America (MPAA),
National Music Publishers' Association (NMPA), Professional
Photographers of America (PPA), Recording Industry Association
of America (RIAA), Screen Actors Guild (SAG), SESAC, Inc.,
Writers Guild of America, west (WGAw) |
Replying
to Comment |
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1,
2, 3,
4, 5,
6, 7,
8, 9,
10, 11,
12, 13,
14, 15,
16, 17,
18, 19,
20, 21,
22, 23,
24, 25,
26, 27,
28, 29,
30, 31,
32, 33,
34, 35,
36, 38,
40, 41,
42, 47,
48, 49,
50
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Class of Works |
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Compilations Consisting of Lists of Websites Blocked by
Filtering Software
Works
Protected by Malfunctioning, Damaged, or Obsolete Access
Controls
Public Domain Works
Regional Encoding of Audio-visual Works on DVD
Works in Formats Linked to a Particular Device, A Limited
Number of Devices, or Devices with Particular Access or
Playback Technologies
Circumvention for the Purpose of Non-Infringing Use
Works Sought to be Used for Archival, Preservation, and
Migration Purposes
Works in E-Book Format Sought to be Accessed by Disabled
Persons
Works Protected by Access Controls Whose Circumvention
is Needed to Carry Out Security Research and/or Remediation
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Reply
comment (58 pages) |
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24 |
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Keith
Kupferschmid
Software & Information Industry Association |
Replying
to Comment |
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2,
3, 9,
12, 13,
14, 18,
19, 20,
22, 23,
24, 25,
26, 28,
29, 30,
32, 33,
40 |
Class of Works |
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All classes |
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Reply
comment (35 pages) |
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25 |
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Seth
Finkelstein |
Replying
to Comment |
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31 |
Class of Works |
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Compilations consisting of lists of websites blocked by
censorware ("filtering software") applications. |
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Reply
comment (2 pages) |
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26 |
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Allan
Adler
Association of American Publishers |
Replying
to Comment |
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9,
11, 13,
20, 26,
33 |
Class of Works |
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Works in formats that are linked to a particular device,
accessible only on a limited number of devices, or accessible
only on devices with particular access or playback technologies.
Works in e-book formats sought to be accessed by disabled
persons.
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Reply
comment (16 pages) |
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27 |
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William
F. Adkinson, Jr.
The Progress & Freedom Foundation and The Center for
the Study of Digital Property |
Replying
to Comment |
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33,
35 |
Class of Works |
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Literary works, including computer programs and databases,
protected by access control mechanisms that fail to permit
access because of malfunction, damage, or obsoleteness.
Copy-Protected CDs, DVD Region Coding, Unskippable DVD
Advertising, and Public Domain Film on DVD |
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Reply
comment (4 pages) |
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28 |
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John
Hoy
DVD Copy Control Association |
Replying
to Comment |
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1,
5, 7,
8, 10,
11, 14,
15, 17,
20, 21,
22, 27,
28, 29,
30, 32,
34, 35,
36, 37,
38, 39,
42, 43,
44, 47,
50 |
Class of Works |
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(1) Exemption requests to permit various uses (fair use,
etc.).
(2) CSS encrypted DVD video discs (including requests
that covered any work that is subject to access controls),
including requests to permit circumvention for the purpose
of gaining access to CSS encrypted content using Linux-based
operating systems
(3) DVD video discs encoded with regions other than Region
1
(4) Works where technological protection measures are to
be circumvented for research relating to access control
technologies
(5) Public domain content contained on DVD video discs protected
using CSS |
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Reply
comment (5 pages) |
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29 |
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Jack
D. Isaacs
Macrovision Corporation |
Replying
to Comment |
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1—50 |
Class of Works |
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(1) literary works;
(2) musical works, including any accompanying words;
(3) dramatic works, including any accompanying music;
(4) pantomimes and choreographic works;
(5) pictorial, graphic, and sculptural works;
(6) motion pictures and other audiovisual works;
(7) sound recordings; and
(8) architectural works. |
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Reply
comment (18 pages) |
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